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尤伦斯当代艺术中心文学论坛:80年代的文学精神
                            
日期: 2007/12/14 9:54:06    编辑:     来源: 今日艺术网    

尤伦斯当代艺术中心(UCCA)定于2008年1月11日举办文学论坛“80年代的文学精神”。该论坛将试图回顾八十年代的文学创作并讨论以下问题:它与当时总体社会思潮的关系如何?与中国传统文学、西方现代主义文学以及革命文学的关系如何?我们今天如何评价那些在当时无疑是激动人心的文学写作和探索,它们经得起时间的考验吗?什么是八十年代的文学精神?它在今天这个时代的意义如何?

尤伦斯当代艺术中心(UCCA)是第一座在中国建造的独立的非盈利性当代艺术中心。作为北京重要的文化设施之一,将全力打造中国与国际当代艺术创作对话的平台。在文化项目的推广上,提供电影、音乐和表演等活动 ;通过研究会、论坛等形式创造艺术家、学术界、策展人和评论家间的对话。同时,一系列的教育项目计划组织讲座、参与型讨论会和导览活动,引导公众接触艺术,使观众深刻的了解艺术背后的故事。

活动名称:文学论坛“80年代的文学精神”
活动时间:14:30-17:30, 2008年1月11日,周五
主持人:查建英(纽约/北京)
演讲人:阿城(北京)、孙甘露(上海)、罗岗(上海)、许知远(北京)、陈晓明(北京)
地点:尤伦斯当代艺术中心报告厅
- 凭门票免费入场        
- 座位有限,请提前至艺术中心接待台预定。预定电话:010-84599269。

主持人介绍:查建英 北京人,笔名扎西多。1978年至1987年先后就读于北京大学、美国南卡罗来纳大学、哥伦比亚大学,2003年获美国古根汉姆写作基金。现居北京及纽约,已出版非小说类英文著作《ChinaPop》,小说集《丛林下的冰河》《到美国去!到美国去!》等。其中《ChinaPop》被美国《村声》(VillageVoice)评为“1995年度25本最佳书籍之一。”并为《万象》、《读书》、《纽约客》等媒体撰稿。近作《80年代访谈录》在中国大陆反响巨大。

www.ucca.org.cn

Press Release. For Immediate Release.

FORUM: THE SPIRIT OF LITERATURE IN THE 1980s


The Ullens Center for Contemporary Art (UCCA) in Beijing is a not-for-profit, independent art center, one of the first to be developed in China. Recognizing multiple geographic and cultural perspectives, UCCA is creating a platform for dialogue around current social and artistic experiences.

A program of events will offer access to film, music and performances, and create dialogue with artists, academics, curators, and critics through seminars and conferences, while UCCA’s education program will bring audiences into regular contact with the people and stories behind the art through lectures, hands-on workshops, and guided tours. In the UCCA Research Room—the first contemporary art reference center of its kind in China—visitors can access a wide range of art books, catalogues, and journals, as well as see changing displays of artists’ editions and related materials, including ‘zines, archival documents, ephemera and digital media.

This forum will attempt to review Chinese literature of the 1980s and address the following questions: How was it related to overall trends in social thought at the time? What was its relationship to traditional Chinese literature, Western literature, and revolutionary literature? How should we evaluate the writers and literary explorations of that era today, and can they withstand the test of time? What was the spirit of literature in the 1980s? What is its significance in today’s era?
 
Subject: THE SPIRIT OF LITERATURE IN THE 1980s (Chinese presentation)
Date: 14:30-17:30, Friday, January 11
Moderator: Zha Jianying (New York/Beijing)
Panellists: A Cheng (Beijing), Sun Ganlu (Shanghai), Luo Gang (Shanghai), Xu Zhiyuan (Beijing), Chen Xiaoming (Beijing)
Venue: UCCA auditorium
- Free with UCCA admission            
- Limited seats. Booking is advised.Tele: 010-84599269.

Moderator brief introduction:
Zha Jianying, hails from Beijing, her pen name is Zha Duoxi. From the years of 1978 to 1987 she was successively engaged in studies at Beijing University, the University of South Carolina, and Columbia University, in 2003 she was awarded the Guggenheim Fellowship for Writing. Currently living between New York and Beijing, she is the author of the non-fiction English work China Pop, short story collections The Frozen River Below the Jungle and To America! To America! Her book China Pop was praised by the Village Voice as one of the 25 best titles of 1995. She is also a contributor to the New Yorker, Panorama (wanxiang) and Dushu magazines. Her latest work, Interviews On the 1980s, has had an enormous influence on Mainland China.

www.ucca.org.cn


 

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